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If I want to add delay for emphasis, I slap Logic's Echo on the last insert of the main track and automate it to activate on certain parts.įor clean vocals (and screams for records), I go to my friends studio, but that's an entirely different story.

I tend keep the reverb and the delay pretty wet for a more commanding, massive effect. The delay and the pitch shifter send into the reverb as well as the main vocal track.

I also use a reverb and a stereo-delay on the sends. On the sends I have Logic's pitch shifter at 50cents set on "invert", to widen up the sound even more, I tend to keep it pretty dry. After that, a chorus at a moderate setting. After the EQ I have Logic's Pedalboard with just the Treble Boost, works awesomely with such a dark-sounding mic. The first thing on my channel strip is Logic's EQ, I cut out just about everything below 300Hz and boost the 3kHz range at a wide Q-setting for a couple of dB to get more air, presence and clarity to the sound. I record my screams, shouts and grunts with a JTS NX8, a copy of the SM58. Great to warm up vox with, and can be used and abused on a lot of different material(guitar, vox, drums, bass,synths) One more bit of kit I like is the Vintage Warmer plug. I e.q to taste and have Reverbs and Delays on aux sends. I am also a big fan of the Waves SSL channel strip (I like the color it adds to everything). Has "a sound", it just all depends on what I am going for. The fist is somewhat transparent, the second (I use it on all kinds of material) or the UAD-1176 compressor. Some people really want to "do it right" because they feel they have to pull it off live.Īfter the vox is recored, I often use the excellent UAD-LA2A line leveler. I am comp a few vocal passes togeather for the best bits, or just make the vocalist "do it right". I record the vox flat and dry with no compression (May ride input faders with a wild singer or rapper) then I make all the decisions about compression and e.q. Another route is to have the mic mod-ed by a guy on the Net who will take your NT-1, put a Chinese U67 and adjust the wire basket and give you a very close Nuemann sound, for about $300. One way is Antares Mic Modeler, which is a fancy eq that can give you good e.q characteristics of other mics. The Rode has a definite sound with a bit of sparkle that either you like, or you don't, if you don't want the bit of high end character, well as our friends in the old German war movies say "Ve have our veys."

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I use a Rode NT-1 into a N.I Kontrol right into my duo core PC running Cubase SX3 or SX5.